Roush Review
Review
Roush Review: Spies Seeing Double in New Espionage Thrillers ‘The Agency’ and ‘Black Doves’
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Roush Review: Ted Danson Charms as ‘A Man on the Inside’
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Roush Review: Tales of the ‘Dune’ Sisterhood in Gloomy ‘Prophecy’
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Roush Review: Alex Cross Returns in a Twisted Crime Thriller
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Roush Review: The Jackal Takes Aim in a Riveting Thriller
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Roush Review: Check Into the Laughter Ward at ‘St. Denis Medical’
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Roush Review: ‘The Diplomat’s Explosive Second Season Leaves You Wanting More
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Roush Review: ‘Disclaimer’ Is a Gripping Tale of Memory and Dark Secrets
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Roush Review: Satirizing the Sausage-Making of a Superhero ‘Franchise’
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Roush Review: Zachary Quinto as a Brain Whisperer in NBC’s ‘Brilliant Minds’
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Roush Review: This ‘Penguin’ Demands Respect in a Dark Origin Story
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Roush Review: The Quirky Potential of ‘High Potential’
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Critic’s Notebook: A Snoozer Emmys Ends with a Surprise
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Roush Review: FX’s ‘English Teacher’ Is a Class Act
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Roush Review: Going Ape Over Vince Vaughn in ‘Bad Monkey’
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Roush Review: ‘Hollywood Black’ Is a Cultural History of Black Cinema From Blackface to ‘Black Panther’
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Roush Review: Film Legend Elizabeth Taylor Tells Her Incredible Life Story
Roush Review: Bloody Melodrama in Ancient Rome in ‘Those About to Die’
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Roush Review: Martin Freeman Returns as a Conflicted ‘Responder’
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Roush Review: Not a ‘Sunny’ Outlook for a Grieving Woman & Her Robot in a Near-Future Mystery
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Roush Review: ‘The Bear’ Season 3 Serves Up a Savory Smorgasbord of Angst
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Roush Review: Clones Are Now Printouts in ‘Orphan Black’ Sequel ‘Echoes’
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Roush Review: A ‘Disco’ Documentary You Can Dance To
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Roush Review: ‘Grantchester’s Secret Weapon: The Detective Inspector Who Stays
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Roush Review: ‘Presumed Innocent’ Returns to Court
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Roush Review: Remembering the Visionary Jim Henson in ‘Idea Man’ Doc
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Roush Review: Mean Girls Go to War in ‘Pyramid Game’
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Roush Review: ‘Evil’s Final Season Is a Deliciously Deranged Scream
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Roush Review: The Seductive ‘Interview’ Continues With Vampires in Paris
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Roush Review: ‘Tattooist of Auschwitz’ Etches a Portrait of Love Amid the Hell of the Holocaust
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Roush Review: ‘Hacks’ Sets a New Goal: Late-Night Stardom
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Roush Review: Downey Times 4 in HBO’s Spy Thriller ‘The Sympathizer’
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Roush Review: Michael Douglas Embarks on ‘Franklin’s French Adventure
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Roush Review: Rooting for the Everyman in ‘Mr Bates vs the Post Office’
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Roush Review: ‘Elsbeth’ and the Art of the Light Mystery
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Roush Review: A Charming ‘Gentleman’ Melts the Moscow Chill
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Roush Review: Doing ‘Time’ in a British Women’s Prison
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Roush Review: Slow-Burning Sci-Fi in ‘3 Body Problem’
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Roush Review: A Bushel of Family Melodrama in Peacock’s ‘Apples Never Fall’
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Critic’s Notebook: The 2024 Oscars Set a Class-Act Standard
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Roush Review: Kate Winslet Rules a Ridiculous ‘Regime’
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Roush Review: ‘The Ones Who Live’ Tells ‘The Walking Dead’s Most Enduring Love Story
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Roush Review: They Don’t Make Epics Like ‘Shogun’ Anymore — Until They Do, Magnificently
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Roush Review: You Won’t Need to Look Hard to Find ‘Tracker’ on CBS
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Roush Review: ‘Curb Your Enthusiasm’ Is Going Out With a Farcical Frenzy
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Roush Review: ‘Capote Vs. The Swans’ Is a Vicious, Delicious ‘Feud’ in New York High Society
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Roush Review: Fly the Unfriendly Skies of WWII with Apple’s ‘Masters of the Air’
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Roush Review: ‘Woman in the Wall’ Delves Into Dark Mysteries of the Past
Critic’s Notebook: Celebrating TV at the 75th Emmys
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Roush Review: ‘True Detective’ Makes a Truly Chilling Return
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Roush Review: Clive Owen Is ‘Monsieur Spade,’ Classic Gumshoe in 1960s France
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Roush Review: Brit Police Drama ‘Criminal Record’ Plays a Tense Game of Cat & Mouse
The 10 Best Shows of 2023
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Roush Review: Weird, Wacky, Wonderfully Suspenseful, ‘Fargo’ Is Back in Top Form
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Roush Review: ‘Monarch’s Best Legacy Is Its Monsters
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Roush Review: ‘Murder’ Most Chilling in Iceland ‘at the End of the World’
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Roush Review: ‘Beacon 23’ Beckons Sci-Fi Fans to a Remote Space Lighthouse
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Roush Review: Too Much Bombast Obscures the ‘Light We Cannot See’
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Roush Review: Return to HBO’s Gorgeously Rendered ‘Gilded Age’
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Roush Review: Life in the Washington, D.C. Closet in Compelling ‘Fellow Travelers’
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Roush Review: ‘Lessons in Chemistry’ Cooks Up Some Delicious Period Drama
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Roush Review: ‘Fall of the House of Usher’ Transforms Poe Into a Corporate Immorality Tale of Karmic Justice
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Roush Review: ‘Frasier’ Revives a Classic TV Comedy Character
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Roush Review: Kiefer Sutherland in Updated ‘Caine Mutiny Court-Martial,’ Friedkin’s Final Film
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Roush Review: Jesse L. Martin Solves ‘Irrational’ Crimes in a Rare Scripted Fall Original
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Roush Review: On ‘The Morning Show,’ Dirty Laundry Never Looked So Good